The imagery of John Donne

dc.contributor.authorDevereux, Edward James
dc.date.issued1958
dc.description.abstractImagery is the imaginative use of words, the correlation of ideas and things in the mind of a poet that invokes in a perceptive reader a state of mind analogous to that of a poet. The statement of the correlation is in itself meaningless; poetic communication takes place through a triple process: -- 1. The symbols or words denoting the ideas and things are combined to form a new symbol; -- 2. The referents of things denoted are equated; -- 3. The references or ideas about the referents and symbols are made to coincide. -- It is this coincidence of references that allows the poet to invoke his state of mind in a reader. -- To this process Donne added a fanciful element, bringing into his poetry the conceit. A conceit is a witty or ingenious or fanciful comparison or idea, usually so written that its peculiar nature obscures the metaphorical process described above; fancy takes precedence over imagination. -- The metaphorical process is more easily seen in the comparison, in which its workings are not obscured by the fantastic element. Comparisons and conceits can be either developed or simple. -- The developed image extends a basic metaphor by one of more of the following methods: -- 2. The introduction of further metaphorical statement to justify the use of the basic metaphor, assuming its aptness; -- 2. The use of further metaphorical statement to extend the basic metaphor, assuming its aptness; -- 3. The use of further statement, either metaphorical or literal, to explain the basic metaphor. -- This development of an image is carried on when: -- 1. The statement of a metaphor leads to the creation of further imagery modifying and strengthening the basic metaphor; -- 2. A group of images become somehow related, focusing in one metaphorical idea. -- The habit of developing images seems the result of an analytical mind, taking pleasure in: -- 1. Forcing all the possible analogies between the referent of the basic metaphor and the subject of the poem; -- 2. Introducing apparently logical ramifications of the basic metaphor. -- The simple comparison shows an aspect of Donne’s imagery obscured by the development in the longer images; that is its reasonable nature. Donne not only modified his imagination by his fancy; he also modified the product by reason.
dc.description.noteBibliography: leaves 160-164.
dc.format.extent164 leaves.
dc.format.mediumText
dc.identifier.urihttps://hdl.handle.net/20.500.14783/1570
dc.language.isoen
dc.language.isoen
dc.publisherMemorial University of Newfoundland
dc.rights.licenseThe author retains copyright ownership and moral rights in this thesis. Neither the thesis nor substantial extracts from it may be printed or otherwise reproduced without the author's permission.
dc.subject.lcshDonne, John, 1572-1631;
dc.titleThe imagery of John Donne
dc.typeMaster thesis
mem.campusSt. John's Campus
mem.convocationDate1958
mem.departmentEnglish (Communication and Media Studies)
mem.divisionsEnglish
mem.facultyFaculty of Humanities and Social Sciences
mem.fullTextStatuspublic
mem.institutionMemorial University of Newfoundland
mem.isPublishedunpub
mem.thesisAuthorizedNameDevereux,E.J.
thesis.degree.disciplineEnglish (Communication and Media Studies)
thesis.degree.grantorMemorial University of Newfoundland
thesis.degree.levelmasters
thesis.degree.nameM.A.

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